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・ Hermeuptychia atalanta
・ Hermeuptychia cucullina
・ Hermeuptychia fallax
・ Hermeuptychia harmonia
・ Hermeuptychia hermes
・ Hermeuptychia hermybius
・ Hermeuptychia intricata
・ Hermeuptychia maimoune
・ Hermeuptychia pimpla
・ Hermeuptychia sosybius
・ Hermeville
・ Hermeyak
・ Hermia
・ Hermia (disambiguation)
・ Hermia (Finland)
Hermia and Lysander (painting)
・ Hermiana
・ Hermias
・ Hermias (apologist)
・ Hermias (philosopher)
・ Hermias of Atarneus
・ Hermida
・ Hermidio Barrantes
・ Hermidita
・ Hermie and Friends
・ Hermie Sadler
・ Hermien Dommisse
・ Hermiene Ulrich
・ Hermies
・ Hermigua


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Hermia and Lysander (painting) : ウィキペディア英語版
Hermia and Lysander (painting)

''Hermia and Lysander'' is a watercolour painting created in 1870 by British illustrator and miniature portrait painter John Simmons. Based on a scene from Act II, scene II of William Shakespeare's comedy play, ''A Midsummer Night's Dream'', it measures .
Paintings of fairies had a resurgence of popularity in the 19th-century with many based on scenes from ''A Midsummer Night's Dream'' and Simmons produced several pieces in this genre. According to Christopher Wood, an expert in Victorian art, the details included in Simmons' fairy paintings were "executed with an astonishing clarity" and gave the impression they had been painted on a glass surface. The majority of Simmons depictions of fairies were of naked females and Wood considered them the "bunny girls of the Victorian era".
A watercolor painting using Gouache, the artwork shows Hermia with her lover Lysander when they are lost in an enchanted wood. The couple are surrounded by a community of fairies; some are pictured in flight using their delicate wings, others are transported in chariots shackled to mice. The couple are tired and disorientated, appearing unaware of the crowds of animals and fairies around them. Lysander is seated and touching Hermia's fingers with one hand while indicating the soft forest moss with his other hand. It is the point in the tale of ''A Midsummer Night's Dream'' when he invites her to rest saying:
The painting achieved a sale price of £42,470 when auctioned in New York by Sotheby's in May 2012, a record price for work by this artist. It had previously been auctioned by Sotheby's in London on 19 June 1984 and a decade later by Sotheby's, New York, on 25 May 1994, when it was wrongly attributed to Julius Simmons.
==References==
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